The latest edition of Dueling Fashionistas is fresh from the press, and ready for a vote. First though, let’s see where the ladies who bear confusingly similar names stand in Reynolds’s portraiture:
The two Janes before you are painted in a pastoral style by the great Sir Joshua Reynolds. In both portraits one hand is outstretched, as if directing the viewer toward the majesty she alone has seen. Their flowing gowns are reminiscent of their muses. Whereas Halliday’s whips on a violent breeze, Harrington’s seems composed, an extension of her easefulness. The scenery around Harrington is also less elemental than her opponent’s disturbed backdrop of air and shadowed land.
In terms of movement, I find Halliday’s portrait irresistible. A pale wrapper streams across her arm; her coiffure is romantically askew. The wind is an influence she cannot control, and in rippling with it she becomes sylph-like.
Harrington’s portrait possesses more restraint. Her hair is partially undone where it grazes over her shoulder and her gown puddles where she stands, but her general appearance recollects sublimity. Overall, her tableau is gentler and dignified, the urn and Grecian style robes a nod to classicism over naturalism.
Which style do you prefer, and, moreover, does the triumph go to Lady Harrington or Jane Halliday? Which Jane is fairer and why? And do you think Reynolds did the ladies justice?
I’d love to hear your opinion! (Especially regarding Lady Halliday’s shoes — they’re sandals, right?)